Indispensável...
.
Pois, quem manda gostar de musica esquesita...Malick wrote: Não tenho nem um dvd de música. Também é complicado haver algum, pois as bandas que ouço normalmente não editam dvds...Quanto à confusão sobre o que disse resume-se a isto: a minha colecção de cds+colecção de cds da minha namorada=montes de cds de qualidade para ouvir.
Estava só a tentar animar a malta...
Cascais: Theta David II, Krell Showcase processador, BelCanto eVo 6, Sonus Faber EAII + Signum, Proac CC2, 2 x REL Strata III
Riga: LINN Unidisk SC, Cayin A-88T, ESE Labs Enlil, Schallwand SanGreal, Tannoy ST-50/100, B&W PV1, Quali-TV, Samsung HDTV
Riga: LINN Unidisk SC, Cayin A-88T, ESE Labs Enlil, Schallwand SanGreal, Tannoy ST-50/100, B&W PV1, Quali-TV, Samsung HDTV
Malick wrote:Xiii o "Omelete" anda por aqui.JoaoPaulo wrote:ah, o amor verdadeiro...Malick wrote: namorada=montes de cds de qualidade para ouvir.
já há muito tempo, desde os tempos do dvdportugal....
não sou é um participante muito activo...
quanto a omeletes... já te disse que com o volume certo, é mais ovos mexidos mesmo...
mas eu ainda tenho uma "costela" stereo... um amp. Pio+Sony SS 86E que não são do teu tempo...
Pois tenho sentido uma comichãozinha de upgrade... mas lá vou passando a pomada de vez em quando...e passa logo... 
na realidade não me importava mesmo nada de umas iQ3 ou iQ5 frontais...fazia uma combinação letal com os ovos
mas nesta fase estou com outros projectos em mãos e a coisa tem de esperar mais um pouco...
as Sony e o Pio estão num sistema "paralelo" só stereo com um leitor de CD sony também... esse sistema está em casa da minha "girl"... emprestei-o para que ela ouvisse musica com um pouco mais de qualidade...tinha uma micro pavorosa...
e eu como gosto dela...
na realidade não me importava mesmo nada de umas iQ3 ou iQ5 frontais...fazia uma combinação letal com os ovos
mas nesta fase estou com outros projectos em mãos e a coisa tem de esperar mais um pouco...
as Sony e o Pio estão num sistema "paralelo" só stereo com um leitor de CD sony também... esse sistema está em casa da minha "girl"... emprestei-o para que ela ouvisse musica com um pouco mais de qualidade...tinha uma micro pavorosa...
e eu como gosto dela...
Da micro...JoaoPaulo wrote: e eu como gosto dela...
Cascais: Theta David II, Krell Showcase processador, BelCanto eVo 6, Sonus Faber EAII + Signum, Proac CC2, 2 x REL Strata III
Riga: LINN Unidisk SC, Cayin A-88T, ESE Labs Enlil, Schallwand SanGreal, Tannoy ST-50/100, B&W PV1, Quali-TV, Samsung HDTV
Riga: LINN Unidisk SC, Cayin A-88T, ESE Labs Enlil, Schallwand SanGreal, Tannoy ST-50/100, B&W PV1, Quali-TV, Samsung HDTV
Vejam esta "receita" indispensável no site da Von Schweikert Audio:
Bright Sound:
A very common problem is brightness, and is wrongly attributed to the speakers since they are the apparent source of all sound. Some of the causes of brightness are:
1. Powerline Noise. Can be ameliorated with a proper line conditioner.
2. Cable Resonance. Too many brands of different cables, which interact improperly. Switch interconnects, including the digital cable, to a different brand.
3. Digital Noise. Use a powerline filter on DAC only. Many times the harshness is created by digital noise bleeding into the preamp, so don’t put the preamp on the same filter as the DAC.
4. Lack of Proper Break-in. Please break speakers in 100-300 hours with loud music.
5. Source Material. Unfortunately, most commercial CDs are bright! Try using the Green Felt Pen and the Bedini Clarifier. Make sure you clean the CDs and do not allow them to get scratched.
6. Transistor Sound. Older transistor gear is bright and lacks depth. Invest in newer gear.
7. Dirty Connections. Proper maintenance of a system requires cleaning of all RCA connectors once a month; do not forget to clean the AC plug prongs. Tube sockets and pins need to be cleaned as well, and is a source of ‘tube glare’, along with tube deterioration itself. See your dealer for cleaners.
8. Cold Equipment. The entire system must be left on (excluding tube amplifiers) continuously for best sound quality. Cold equipment, especially transistor preamps and DACs, sound thin, sterile, and lack depth or dimension. Cold transistor amplifiers sound harsh, lacking depth. Most experts recommend leaving the equipment on to avoid the damage associated with cold turn-on, since the most wear to the electronic components in an amplifier results from the inrush of current from the wall into a cold part. Once the unit is left on, the voltages and temperatures stabilize, resulting in better sound and component life. If in doubt, check with the electronics manufacturer or dealer.
9. Bloated Image or Poor Focus. Slap echo from hard walls, or too much rear Ambience.
10. Room Effects: Boomy Bass, Harsh Highs. Not many audiophiles realize how important their room acoustics are to the overall soundfield. No matter how good the speaker system and driving electronics, the room will have great influence over the final sound, whether for better or worse! Harsh highs can be created by echoes reflected from large wall surfaces with unbroken surfaces. If you can hear any echo when clapping your hands, you will need to use some room treatment products.
11. Lack of Bass. Check the wiring to the woofer modules and make sure they are in phase. Rooms can add or subtract bass response, but correct tuning and placement can ameliorate these problems. If your electronics or cables are really bright, you may feel that there is more treble than bass. Try substituting different electronics or cables and recheck your room placement.
Bright Sound:
A very common problem is brightness, and is wrongly attributed to the speakers since they are the apparent source of all sound. Some of the causes of brightness are:
1. Powerline Noise. Can be ameliorated with a proper line conditioner.
2. Cable Resonance. Too many brands of different cables, which interact improperly. Switch interconnects, including the digital cable, to a different brand.
3. Digital Noise. Use a powerline filter on DAC only. Many times the harshness is created by digital noise bleeding into the preamp, so don’t put the preamp on the same filter as the DAC.
4. Lack of Proper Break-in. Please break speakers in 100-300 hours with loud music.
5. Source Material. Unfortunately, most commercial CDs are bright! Try using the Green Felt Pen and the Bedini Clarifier. Make sure you clean the CDs and do not allow them to get scratched.
6. Transistor Sound. Older transistor gear is bright and lacks depth. Invest in newer gear.
7. Dirty Connections. Proper maintenance of a system requires cleaning of all RCA connectors once a month; do not forget to clean the AC plug prongs. Tube sockets and pins need to be cleaned as well, and is a source of ‘tube glare’, along with tube deterioration itself. See your dealer for cleaners.
8. Cold Equipment. The entire system must be left on (excluding tube amplifiers) continuously for best sound quality. Cold equipment, especially transistor preamps and DACs, sound thin, sterile, and lack depth or dimension. Cold transistor amplifiers sound harsh, lacking depth. Most experts recommend leaving the equipment on to avoid the damage associated with cold turn-on, since the most wear to the electronic components in an amplifier results from the inrush of current from the wall into a cold part. Once the unit is left on, the voltages and temperatures stabilize, resulting in better sound and component life. If in doubt, check with the electronics manufacturer or dealer.
9. Bloated Image or Poor Focus. Slap echo from hard walls, or too much rear Ambience.
10. Room Effects: Boomy Bass, Harsh Highs. Not many audiophiles realize how important their room acoustics are to the overall soundfield. No matter how good the speaker system and driving electronics, the room will have great influence over the final sound, whether for better or worse! Harsh highs can be created by echoes reflected from large wall surfaces with unbroken surfaces. If you can hear any echo when clapping your hands, you will need to use some room treatment products.
11. Lack of Bass. Check the wiring to the woofer modules and make sure they are in phase. Rooms can add or subtract bass response, but correct tuning and placement can ameliorate these problems. If your electronics or cables are really bright, you may feel that there is more treble than bass. Try substituting different electronics or cables and recheck your room placement.
cumps.
No meu caso, quer em Cascais quer em Riga, era a combinação processador/amplificador...
Cascais: Theta David II, Krell Showcase processador, BelCanto eVo 6, Sonus Faber EAII + Signum, Proac CC2, 2 x REL Strata III
Riga: LINN Unidisk SC, Cayin A-88T, ESE Labs Enlil, Schallwand SanGreal, Tannoy ST-50/100, B&W PV1, Quali-TV, Samsung HDTV
Riga: LINN Unidisk SC, Cayin A-88T, ESE Labs Enlil, Schallwand SanGreal, Tannoy ST-50/100, B&W PV1, Quali-TV, Samsung HDTV
cochinada wrote:Vejam esta "receita" indispensável no site da Von Schweikert Audio:
Bright Sound:
A very common problem is brightness, and is wrongly attributed to the speakers since they are the apparent source of all sound. Some of the causes of brightness are:
pelos vistos um som estridente pode ser provocado por qualquer coisa, menos pelas colunas que... pasme-ce... eles vendem
oh sim...tem razão Sr. Schweikert...
Triangle é brilhante...Malick wrote:Será que as triangle do Miguel afinal não são as culpadas do som mais agressivo de que ele se queixa?
FALP
-Arcam Solo Movie 2.1, Acoustic Reality eAR202Ref, B&W CM1, BK Gemini, Panasonic 37PX80, Western Digital TV, PlayStation2 Slim
-Denon D-100, Celestion 3MkII
-iPod Shuffle 2, Sennheiser CX300
-Arcam Solo Movie 2.1, Acoustic Reality eAR202Ref, B&W CM1, BK Gemini, Panasonic 37PX80, Western Digital TV, PlayStation2 Slim
-Denon D-100, Celestion 3MkII
-iPod Shuffle 2, Sennheiser CX300